Saturday, April 6, 2013

Animation Project

An Animation Project done by one of my student Vishnu Balakrishnan...
Please Watch it and leave your Valuable comments and critics on it....

UpHill

Monday, January 7, 2013

Animo Rig

Thanks for downloading the rig. 
Not for commercial use.

" Happy Animating.... "


"Download"



Cartoon Truck Rig

Thanks for downloading the rig. 
Not for commercial use.

" Happy Animating.... "


"Download"

Norman Character Rig

Thanks for downloading the rig. 
Not for commercial use.

" Happy Animating.... "


Norman Character Rig

Cute Ball Rig

Thanks for downloading the rig. 
Not for commercial use.

" Happy Animating.... "


"Download"

Tahora Rig

Thanks for downloading the rig. 
Not for commercial use.

" Happy Animating.... "




"Download"

Friday, December 28, 2012

IDEAS FOR A GOOD PORTFOLIO.......


Basic Portfolio Contents

* Several pages of current life drawing from live subjects.
* Copies of pages from sketchbooks with gesture-style drawings of people and   
   animals in motion.
* Head drawings-both quick sketch and long poses.
* Some samples reflecting color and design sense.
* Some figurative drawings reflecting knowledge of lighting.
* Some work based on imagination.
* A few samples that display cartooning skills. Do not include copies or   
   interpretations of Disney or other classic cartoon characters.
* No more than two or three samples of comic-strip, comic-book or fantasy 
  illustration.
* Do not include graphic, advertising, industrial, textile or 3-D design,  
   photography or jewelry.

Instructions for Specific Positions

In addition to the Basic Portfolio Contents, the following materials should also be included for specific positions.

* Visual Development artists should provide artwork that displays a sense of caricature imagination, color and design; a selection of color sketches (any media) that dramatizes a story; and extensive samples of character concepts drawn from your design and imagination. Include various types: humans and animals, personalities, anthropomorphic objects, model sheets, characters in environments, etc.

* Story Sketch artists should supply one or two sets of storyboards (animation or live action); character designs and/or model sheets; and quick sketches showing lighting, dramatic setting and staging sense.

* Layout artists should provide a selection of layout drawings demonstrating a strong sense of staging, design, lighting and perspective. Include character drawings for the layouts, if possible; a selection of comic strip and/or comic book samples, if possible; and indicate if this work is from your own roughs or clean-ups from another artist's work.

* Character Animation artists should include a video reel of scenes you've animated and two or three animation "flips", if available.

* Clean-up artists should supply at least two sets of rough keys, along with clean-up drawings of same and other clean-up samples (please note if drawings are assistant, breakdown, or in-between work).

* Effects artists should provide drawings showing a variety of work and approaches to design; a resume noting any optical or digital training you might have. A video reel is suggested but not required.

* Background artists should supply painting examples emphasizing attention to detail, lighting, atmosphere and painterly technique, along with a selection of color prints or transparencies of animation backgrounds.